John Williams’ "Sail Barge Assault" is an all-out epic, using the Star Wars theme (which represents Luke in the original trilogy) and Rebel fanfare to excellent effect in a fast-paced flourish. With a new green-bladed lightsaber and expertise in Form V, Luke fought as a true Jedi Knight, even if he hadn’t attained knighthood quite yet. The Sarlacc Pit was not only the long-anticipated rescue of Han Solo (Harrison Ford) but also the cathartic conclusion of Luke’s grueling Jedi training. While John Williams’ score perfectly conveys Luke’s temptation aboard the Death Star II, he also uses it to frame the Sarlacc Pit action scene as a more triumphant moment, highlighting Luke’s heroism and later his internal conflict in subtle ways. In Return of the Jedi, Luke often struggles with the dark side’s temptation, but not all scenes have this foreboding undertone. Related: How Star Wars Retroactively Improved Return of the JediĪ film’s music score is one of the best ways to understand the intentions of particular moments. All the while, Luke’s emotional vulnerability, desperation to save his friends, and Emperor Palpatine’s (Ian McDiarmid) machinations result in Luke’s repeated temptation to make a Faustian bargain by embracing the dark side of the Force. However, after discovering Darth Vader’s (James Earl Jones) true identity in The Empire Strikes Back, Luke’s conflict with the Sith Lord becomes far more complicated, with Luke opting to redeem his father instead of killing him. In the Star Wars original trilogy, Luke Skywalker's (Mark Hamill) characterization is that of an ordinary farmer rising to the occasion and contributing to the Galactic Empire’s defeat by becoming a Jedi Knight.
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